In contemporary black popular culture, rap music has become one of the spaces where black vernacular speech is used in a manner that invites dominant mainstream culture to listen — to hear — and, to some extent, be transformed. However, one of the risks of this attempt at cultural translation is that it will trivialize black vernacular speech. When young white kids imitate this speech in ways that suggest it is the speech of those who are stupid or who are only interested in entertaining or being funny, then the subversive power of this speech is undermined.
HOOKS, B. Teaching to Transgress. New York: Routledge, 1994.
De acordo com Bell Hooks, intelectual negra estadunidense, o poder subversivo do rap consiste na possibilidade de